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Capture and America s Next Top Model premieres LAST NIGHT ON PRINCESSES: LONG ISLAND Amanda Bertoncini and her sister nike free run girls Taylor shop at Frassanito Jewelers in Huntington Village and discuss their mom Babs concerns over whether Amanda is rushing into marriage. Ashlee White tries to turn Erica Gimbel against Joey Lauren. Amanda and her boyfriend Jeff Hoffman and his parents have dinner with Amanda s family, and the couple announces they re moving in together. Casey Cohen and her friend Leila have drinks at the hotel 60 Thompson in Soho. Everyone except Manhattanite Casey goes on a winery tour at Sparkling Pointe in Southold, nike free run shoes where Ashlee verbally attacks Joey and everyone argues while Chanel Omari tries to make peace. Ashlee throws a nike free shop temper tantrum and storms off, with a loyal Chanel accompanying her. The remaining three leave to meet Erica s dad at his boat. Ashlee goes missing. . . . on CNBC . . . on the CW . . . by the new "Saint Hoods," about Boston bookies and loan sharks. RECAPS: Jon Scallion was eliminated, air max infrared and Ja Nel Witt beat fellow finalist Mary Poehnelt to win "Hell s Kitchen" season 11 . . . Herbert Wilson was the first to go on "Top Chef Masters" season five . . . "Big Brother" evicted Kaitlin Barnaby . . . and Mariah Spears and Blu Print were axed from nike free running "So You Think You Can Dance."

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Chanel wasn t trendy Karl Lagerfeld says Chanel wasn t "trendy" at all when he started working there. The iconic designer features in a fashion documentary for CNN, called Fashion: Backstage Pass From Paris. He discusses nike free cheap his work at length in it, including his decision to take the job as chief designer of Chanel in 1983. He completely reworked the company s aesthetic, shortening hemlines and creating new shapes. The label was set up by Coco Chanel in 1909 and he has no doubt she wouldn t be keen on his work. nike air max 93 "You know, when I was asked to do it, Chanel wasn t trendy at all. The owner said, I m not proud of the business. If you can make something, OK. If not, I ll sell it," Lagerfeld recalls on the program. "And we made something out of it because he gave me total freedom. all black nike free run The label has an image. It s up to me to update it. What I did, [Coco Chanel] never did, she would have hated." Lagerfeld also works on his own label and for air max 95 Fendi. It means he has to come up with a lot of different pieces each year, so has a novel way of ensuring he doesn t repeat white nike air max anything. "I have Alzheimer s for my own work and I do that on purpose. I think that s a very good thing because today too many people remember what they did. Forget it all and start again," he says. Lagerfeld knows fashion fans love to hear his views on the industry, which he finds "flattering". During the interview he discusses why he thinks he s been so successful.

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Chanel would have hated me says Karl Lagerfeld nike free 5.0 black Chanel s head designer Karl Lagerfeld has revealed he thinks the founder of the iconic French fashion house would have "hated" him if they nike free v5 had ever met."I never bumped into Coco Chanel. It was better that way, she would have hated me," he told an audience of hundreds of French college students at a masterclass in Paris on Tuesday."You have to respect things, nike air max black but if you want to survive, you have to change them," he said, recalling how he had "pushed" and "exaggerated" classic Chanel themes.The couture house this year marked the 100th anniversary of the opening of Gabrielle Coco Chanel s first shop in Deauville in the summer of 1913.Today the label, nike free 4.0 whose founder died in 1971, has 300 outlets including 185 boutiques in cities such as Sao Paulo, Calgary, New Delhi, Istanbul and Brisbane.Its creative director Lagerfeld also heads design for Fendi as well as running his own label fashion house, and is famous for his prodigious output.On Tuesday he joked that was "pushing for a 48 hour day" because he was constantly pressed nike free womens 5.0 for time."Some people say elegance is dead. They re wrong. It has a new face," he told the students."It s up to us to adapt to the changing times and not the other way around," said Lagerfeld. "What counts is today."Lagerfeld s real date of birth has long been a mystery, however in an interview earlier this year he revealed he was born in 1935.He also advised the students, from the prestigious Sciences Po school in Paris, not to focus solely on their studies."Education is good, but it s not enough," said Lagerfeld, who left his home in Germany at just 16 to work in the Paris fashion industry. "I never studied, I didn t have time."

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Chanel turns to window dressing Politics nike free run 4 Nation Now Politics Now Top of the Ticket Science Science Now Obituaries World World Now Afghanistan war Africa Americas Asia Europe Middle East Business Money Co. Top of the Ticket Readers Rep Shop Daily Deals Travel Offers Weekly Circulars Offers Deals Sports Gear LA Times Product See More Member Center Alerts Newsletters Jobs nike run free 5.0 Cars Real Estate Rentals Weekly Circulars Local Directory Place Ad Three seemingly endless hours long, "Coco Chanel" still manages to omit the most celebrated decades (and a scandalous affair with a German officer during World War II) because it is much more interested in a tedious account of Chanel s early love life. A little whitewashing is forgivable in a biopic, but to make a movie about the most influential figure in fashion history in which she spends more time moping nike air max one around about her boyfriends than she does designing clothes is infuriating. The contestants on "Project Runway" are taken more seriously as artists than Chanel is here. Mercifully, it is a gorgeously shot film, with hats to die for, period opulence and poverty well depicted and, eventually, all those fabulous Chanel suits. For those who found the Oscar winning film air max 90 black "La Vie en Rose" far too depressing (not to mention French), there may be enjoyment in this Americanized tale of similar pathos. Like singer Edith Piaf, Chanel suffered the early death of her mother, an impoverished childhood, father abandonment, hardscrabble young adulthood and a few unwise romantic choices, but with a happier outcome. Unlike Piaf, an alcoholic and drug addict who died at 48, Chanel lived to the ripe old age of 87. She never stopped working and experienced a postwar renaissance when she was 69. This is where "Coco Chanel" opens. Played by the venerable Shirley MacLaine, the elderly designer is staging a comeback show. (Her comeback actually followed an exile in Switzerland; Paris never forgave her for having an affair with an occupying officer. This is never mentioned.) As her glad handing business partner, Marc Bouchier (a surprisingly insufferable Malcolm McDowell), watches in horror, it bombs. Coco is unfazed; she is, she says through a plume of cigarette smoke, used to rejection. (Cue flashback to tubercular mother, deadbeat father, etc.) To MacLaines everlasting credit, she does not attempt an accent, assuming, accurately, that at this stage in her career she is naturally imperious enough to seem French without sounding like it. But although it s MacLaine s face that s selling the film, she is bafflingly underused, both logistically and emotionally. The vast majority of the film is set in flashback and stars newcomer Barbora Bobulova as young Gabrielle Chanel. Bobulova is lovely and spirited but apparently incapable of summoning her subject s artistic depth or even her chicness looking good in breeches when breeches simply weren t worn is not the same as playing the woman who would think to wear them. MacLaine is certainly capable of conjuring vast reservoirs of emotion and experience, but even she seems strangely reined in, as if director Christian Duguay, fearful of playing Chanel as a caricature, went too far the other way. Chanel begins her career as an insightful seamstress then gets sidetracked in a romance that should have been over and done with in three scenes. Instead, it occupies close to an hour of the movie. Her revolutionary fashion sense, on the other hand, is summed up in a line or two having to do with wanting clothes to be more comfortable and jersey going cheap during World War I. Now, I m no fashionista but I m pretty sure nike air max 95 sale it was a bit more complicated than that. The best scenes in the movie occur in her store and studio, but it seems a bit of a rip off that we don t get to see much of Chanel at the height of her art and fame. What satisfaction there is comes from the elder Chanel, the one who unsentimentally insists on the importance and transcendence of the work.