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1920 s Fashion Statements air max bw for Women The 1920 s was a time period of diverse change in American History. World War I had ended and people were feeling free spirited, women were given the right to vote, and the prohibition movement began. Amongst all of the changes that took place during this era, one vivid image stands nike air max junior out from the rest, that being the image of the flapper. The flapper fashion statement did not actually debut until 1926. The typical flapper girl had very short but sleek hair, wore an above the knee straight shift dress, and had a boyish figure. She also demonstrated her rebellious side by smoking long cigarettes in public, applying make up in public and dancing the night away with her bare limbs exposed. The shift style, waistless flapper dress itself was relatively easy to make at home, which allowed the middle class women to blend in with the highly fashionable upper class. As the decade progressed the waistline dropped below the hip and then disappeared in the flapper era as the hemlines went up. In 1928 hemlines became uneven and asymmetrical as they shifted back to the longer skirts and dresses. Women threw the corsets out and adopted a more comfortable style of clothing. Gabrielle Chanel, better known as Coco Chanel, was the fashion designer of the era whose fashions epitomized the look of the 20 s. Hats were a popular women s accessory during the 1920 s. In the early part of the decade ladies opted for simple hats with brims. The rimless cloche hat became popular in 1925. The close fitting cloche hat was only wearable with a short and flat hairstyle. This hat also impacted women s posture in the 20 s as it was pulled air max 2014 over their eyes, so it was necessary for ladies to tilt their heads in order to see where they were going. Another popular accessory in the 20 s were patterned stockings. Some stockings even featured embroidery from the ankle to the knee. Both flesh and pastel colored stockings made from silk or rayon were popular. In order to play down the shine produced by rayon stockings, ladies pink air max would powder their legs. Speaking of powder, the use of make up was on the rise in the 1920 s. Instead of running off to the ladies room to apply lipstick or powder, ladies would do this in public. Those Mary Jane shoes that are still worn today became popular in the 1920 s. With the rising hemlines, ladies nike air max more attention was paid to shoes. Heels that were over 2 inches high were popular at the time as well as the two tone shoe designed by CoCo Chanel. Additionally, it was quite common to find shoes adorned with sequins or diamante trimsCoats of the first half of the decade were long to match the hemlines and belted. Another very popular style coat was the wrapover. All coats seemed to wrap to the right and included a large fastener of some sort, a button, tab, or buckle. During the roaring twenties, as women became bolder and hemlines became shorter, so did their hair. The severe Eton Crop of 1926 is the style seen on many flappers. Since hair had always been considered one of the most important features of a woman, older ladies considered adapting the short Eton Crop very daring. Published by Classy Momma Originally from Dover, DE. Graduate of U of D with a major in Elem, and Sp. Ed. Married into the Air Force. My husband and I have lived in Cheyenne, WY, Cape Cod, MA, and Shreveport, LA. I taught 4 th 6th. View profile

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1920s Fashion Dresses Flappers symbolize the irrepressible spirit of modern women in the post World War I years. But the real driving force behind the popularity of this loose silhouette dress was its simplicity, according to the Fashion Era website. Women across America enrolled in correspondence courses in dressmaking and millinery so they could earn income as seamstresses. When the flapper style came along, gals quickly sewed these uncomplicated shifts using Butterick patterns, not only for customers but also nike free trail for themselves. Formal Wear in 1920s Fashion Throughout the 1920s, some of the most recognizable features of dresses were higher hemlines and lowered waistlines. It was also an age bookmarked between the Great. 1920s Black nike air max premium Women Fashions The Fashion Dress of the 1920s; Women Hairstyles in the 1920s; Comments. research. You nike id air max 1 May Also Like. Ball Gowns of the 1700s Evening Gowns in the 1920s The 1920s brought new freedom to nike free runs 5.0 women after the austere and strict dress code of the Victorian Era. This era also gave. Women Lifestyles in the 1920s 1920 nike free run 5.0 black and 1930 were a particularly dynamic period of change for women lifestyles. Work patterns, educational goals, and basic notions of.

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1920s Fashion Style The decade of the 1920s was really the beginning of sportswear as we know it. During Victorian times, sportswear for women mostly consisted of the same elaborate type of ground sweeping dress that a Victorian woman wore for daytime attire. The clothing was very confining, making it difficult to participate nike free 3.0 v5 in sports. Although a few women wore a culotte style pant for bicyling during the 1890s, most women wore dresses to bicycle. Since the 1920s brought a new freedom with its less confining clothing, sportswear that really functioned for active physical participation in a sport became available. Another innovation, the use of knit nike air max 90 sale fabric in women s clothing introduced by French fashion designer Coco Chanel, nike air max 90 mens made the design and manufacture of sportswear easier since knitwear stretches, giving it a distinct advantage nike free run sale over woven fabric for use in sportswear. Of course, we ve come a long way since the 1920s in the design and fabrication of nike free run review activewear, especially with the use of high tech, synthetic materials, but the introduction of modern activewear goes back to the Jazz Age.

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1930s Designers Although you won likely find an original garment from these important 1930s designers in a run of the mill vintage shop, their influences show up over and over on the vintage racks. Coco Chanel Chanel s number air max tn one trademark in any decade, including the 1930s, is menswear inspired pieces. The 1930s is when Chanel s signature nike air max woman color pairs of navy and white, beige and black, and burgundy and white were first introduced. Madame Gr Gr was known her whole nike free run 3 pink career for her perfect draping technique. Evening gowns cut on the bias, draped, and pleated in grecian style are a direct homage to Gr style. MainbocherAs the designer of Wallis Simpson nike free run white s two piece crepe wedding dress, Mainbocher influenced an entire decade of bridal wear. He also popularized blue, a color that he used exclusively in designs for his muse. Robert PiguetPiguet embraced theatrical romanticism full nike air max blue force incorporating high cap sleeves, large yokes, and high collars. Elsa Schiaparelli Elsa Schiaparelli brought avant garde fashion to the masses through her collaboration with surrealist artists. Schiaparelli gave us her trademark color pink, culottes, tromp l sweaters, and the first use of decorative zippers. Madeleine VionnetLike Madame Gr Vionnet favored bias cuts, and draping Madame Gr Though revolutionary at the time, Vionnet made it a point to show off the female figure. The cowl neck and halter silhouettes we made populare by Vionnet.

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1950s and 1960s Chrysler Turbine Concept Cars Many remember the Chrysler Turbine Car, the bronze colored hardtop air max 95 that looked like a Thunderbird and whined like a banshee. But that copper rocket was just one result of a broad development program that produced a remarkable number of 1950s and 1960s Chrysler Turbine concept cars. The program seemed to promise that turbine white nike air max power would soon be in your driveway as indeed it was for the couple hundred people who drove the 50 Turbine Cars built in a three year consumer test program. But though Chrysler came closer than anyone to perfecting a practical turbine automobile, events rendered the nike air max id futuristic powerplant just so much hot air, and its promise went unkept. The gas turbine relates to the jet engine, patented by England s Frank White in 1930. Rolls Royce speeded the development of jet fighter planes, which came too late to significantly affect World War nike free womens II but which proved decisive in Korea. Navy Bureau of Aeronautics in 1948), but didn t begin thinking about roadgoing applications until the mid Fifties, perhaps inspired by Rover of Britain s 1952 experimental turbine car. Of the Detroit producers, only Chrysler seemed as serious about turbine powered automobiles; Ford and GM put most of their turbine emphasis on trucks. Like a jet, the turbine s basic element is a wheel ringed with blades or vanes; a fuel/air mixture flows past the vanes, causing the wheel to rotate and produce power. In many designs, including most of Chrysler s, this "power turbine" also ran a "first stage turbine" linked to a compressor; nike air max 97 the latter, of course, squeezed the mixture for firing, which was accomplished by a spark plug like device called an igniter. This simplicity appealed greatly to Chrysler and others because it meant fewer parts, which implied less maintenance. For owners, the turbine promised operating smoothness unknown in reciprocating engines, because it produced rotary motion to begin with. Other attractions included near instant warm up (and available engine heat in winter), dependable cold weather starting, the ability to run on a wide variety of fuels (Chrysler claimed the turbine could gulp everything from peanut oil to Chanel No. 5), negligible oil consumption, and no need for antifreeze. Offsetting these pluses were four big minuses: high internal heat (upwards of 2,000 degrees Fahrenheit); operating traits better suited to steady speeds, as in aircraft but typically not cars; no inherent "engine braking," vital on the road; and high oxides of nitrogen (NOx) emissions. Nevertheless, Chrysler would solve or at least minimize all of these problems over some 25 years of development. High heat was the biggest problem. To attack it, Chrysler engineers under George Huebner, Jr., soon known as Highland Park s "Mr. Turbine," developed what they termed a "regenerator." This was essentially a rotating heat exchanger that removed exhaust gas heat to reduce internal temperature and boost fuel mileage above what it would be otherwise.

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1950s Chanel Suit So I mentioned nike free run girls earlier that there are some really classic looks from the 50s that still stand out today, and one of the major air max 90 essential ones that was a major revolution in style in the 50s is the Chanel suit. Now, the one I have here to show you is not a women nike air max real Chanel, because unfortunately those are a little bit out of my price range. But, the important thing to know is that there is no collar. It is a collarless jacket, it is in a tweed. You can see it right here, a nice tweed fabric. And the cut is boxy. Boxy and looser. And so, this was starting to change the fashion, because it wasn t focused as much on the waist. nike free review And this would have a matching skirt with it. It was incredibly popular. We talked about Chanel being a brand before for perfume, but this suit in particular, it was popular all over Europe, it was popular in the States, and the thing that s interesting is that today, these suits are still worn by more of the upper eschlons for society, and they re very coveted. It s been reinvented, it s been copied, and it was a really classic. It continued into the 60s in its popularity with Jacqueline Kennedy Onassis, who is a great style icon. And it only came in certain colors, which would be pink, peach, a light green, and a light blue. So this pink, the pink that it came in, the peach would be sort of closer to this color right here. However, those colors sort of speak nike free running to what we were talking about before with the ladylike tones of fashion in the 1950s. And the Chanel suit was really the epitome of class as far as that went.

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1950s Hairstyles Hairstyles in the 50s got more and more elaborate as the decade progressed. I m wearing a sort of early 50s hairdo. The biggest thing is that nike air griffey max 1 your hair needed really to be done. You didn t roll out of bed and have it look natural, it wasn t supposed to look natural. new nike air max It was supposed to be a coif, which is the French word for hairstyle. The biggest most popular style was the bouffant hairdo, and that involved a lot of volume at the crown. Now I have a nike free run 3 womens modified boufant in right now. There s a little bit of volume you can see behind the headband, and the bangs have been arranged, and there really isn t a hair out of place. And that s what was really important. In keeping with wanting to look like a lady, you would definitely have your hair done professionally or you would sleep in hot rollers, and you would want it to be very clean, and very styled. Nothing easy, no waves, no over elaborate curls, just very very polished. And the way that you would get the bouffant was by back combing, which is taking a comb and brushing it towards all red air max 90 the scalp, and that really built up the hairstyle. And so there were some famous singers who had intense hairdos like Beehives, nike air max torch 4 which is really just an exaggerated version of the bouffant. But the important thing to remember is really volume at the crown, like here, and styled around the face. You didn t really pull your hair off of your face. You always had some sort of around it because you didn t want to look severe. You wanted to look soft and in complement to clothes.

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1950s Jewelry Perfume Jewelry in the 50s went a very classic route. You wanted classic gems and simple pieces. It wasn t particularly ornate, and a good example would be diamond stud earrings. You can see how I have them in either ear. They were very simple, they complemented without taking away from the hairdo. Another piece would be a single pendant necklace like this one, this one has some amethyst in it. Very simple. No draping jewelry, a simple choker, simple studs, nothing particularly ornate. You really wanted it to be a clean and simple line. And in keeping with that, as far as perfume goes, the perfume industry wasn t nearly as large as it is today in the 50s. It was mostly luxury brands that were making different kinds of perfume. I have an example: this is nike free 3.0 pink the Chanel Coco Mademoiselle. Actually the most popular fragrance in the 1950s was another air max 1 Chanel fragrance, Chanel No.5. They both were really classic lines and they went along with a designer that most women knew well. As the women s fashion industry nike air max 90 white was expanding after the war, people really looked to rely on brand names to pick things up. So they would look for brand name jewelry, cheap air max 95 they would look for brand name perfume, and that was really where you wanted to go. And you wanted it to be very simple once again. The 50s, it was about being a lady so along with what we talked about with the make up, you wouldn t want a really ornate perfume that was too exotic or drew too nike free shipping much attention to you.